The third quarter has a very Ocarina of time vibe, very interesting composition overall. Nice balance and range of sounds and textures. Doesn't seem to linger in any one spot for too long. I see that it is probably meant to loop - the ending was otherwise kind of abrupt, understandable though if the use case is looping. OH! If the use case is looping though, maybe that low pass filter in the beginning should come back at the end? Just to make the tonal quality a little more consistent on the loop.
One piece of (subjective?) criticism I would offer is that, to me, the pulsing wind lead in the second phrase (after the intro and first paragraph of the song) - and then again in the final phrase of the song comes off a little bit harshly - maybe a teensy bit shrill? This is actually an issue I run into sometimes with my own instruments and I don't know if I understand the technical aspects enough to suggest a remedy. Maybe it's something a parametric EQ could fix - I think it actually only stands out on the higher notes that repeat. That said, if it can be fixed by an EQ, it very well could be my sound system and not your mix. Or my ears, lol.
I like your use of rests in the composition too. You use silence well to convey pace and contrast. I also like the tasteful application of note bends. That is something I personally have not done much, so props for wielding those effectively.